French Cubist Painter, 1885-1941 French painter, printmaker and writer. Taking Cubism as one of his points of departure, he first developed a vocabulary of colour planes only distantly dependent on observed motifs, and by the 1930s he had arrived at a purely self-sufficient language of geometric forms. He remained active as a theoretician until the end of his life,   Related Paintings of Delaunay, Robert :. | Tall Portuguese-s fem | Cyclotron-s shape | Impression | Cadence | Propeller and melodic |
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Jan van Goyen
Dutch Baroque Era Painter, 1596-1656 Jan van Goyen was born in Leiden on Jan. 13, 1596. Apprenticed from the age of 10, he had several masters. About 1617 he went to Haarlem to study with Esaias van de Velde, an important innovator in the Haarlem movement of realistic landscape painting. Van Goyen's works between 1621 and 1625 are sometimes hard to distinguish from those of his teacher. They are colorful, detailed views of villages and roads, usually busy with people, as in Winter (1621). It was Van Goyen's usual practice to sign or monogram and date his paintings. He traveled extensively through the Netherlands and beyond, recording his impressions in sketchbooks, occasionally with dates and often depicting recognizable scenes. Thus the chronology of his development is clear. His paintings of the late 1620s show a steady advance from the strong colors and scattered organization of his early works toward tonality and greater simplicity and unity of composition. By 1630 he was painting monochromes in golden brown or pale green; he played a leading part in the tonal phase of Dutch landscape painting. In 1631 Van Goyen settled in The Hague, where he became a citizen in 1634. The simplicity, airiness, and unification of his compositions continued to increase in his abundant production of dune landscapes, river views, seascapes, town views, and winter landscapes. The River View (1636) displays a river so open and extensive as to suggest the sea, with reflections that prolong the vast and luminous sky. In its monumentalization of humble structures and its composition built on a firm scaffolding of horizontal and vertical forces, it forecast at this early date developments that dominated landscape painting in the 1650s and later. In the Village and Dunes (1647) the traditional double-diagonal composition still exists, but it is dominated by horizontal and vertical accents. Stronger contrasts of light and dark replace the earlier tonality. In the last year of his life Van Goyen produced an eloquent new style, in which powerful forms stand out against the radiant sky and water in an exquisitely balanced composition (Evening Calm; 1656). The commission in 1651 to paint a panoramic view of The Hague for the Burgomaster's Room shows the high regard in which Van Goyen was held. He was enormously productive; well over 1,000 of his paintings still exist, and almost as many drawings.
Richard Brakenburgh
(1650, Haarlem - 1702, Haarlem), was a Dutch Golden Age painter. According to Houbraken he was a light-hearted poet from Haarlem. He was the pupil of Hendrik Mommers who went on to paint clever genre scenes in the manner of Adriaen van Ostade. Though some said he was the pupil of Bernard Schendel, they were the same age and painted in similar styles. He was successful enough at his art that his Frisian widow was able to purchase an annuity after his death in Friesland. According to the RKD he is registered in Leeuwarden during the years 1670-1687.He is known for both Italianate landscapes and portraits. He painted similar subjects to those of Schendel, representing merry-makings and drunken assemblies. His pictures are ingeniously composed, and well coloured, something in the manner of Adriaan van Ostade, though greatly inferior. They are painted with facility, although they have the appearance of being very highly finished; and he perfectly understood the management of chiaroscuro. His greatest defect is his incorrect drawing of the figure, which he appears not to have studied from nature. The Vienna Gallery has two 'Peasant Scenes' by him, said to have been painted in 1690; the Berlin Museum one, and the Amsterdam Gallery one. In the Brussels Gallery is a 'Children's Feast,' signed and dated 1698; and the Rotterdam Museum has a 'Doctor's Visit,' signed and dated 1696. In Windsor Castle are two good 'Artists' Studios ' by him. He also sometimes practised the art of engraving. He was the teacher of Wigerus Vitringa, Abraham Pardanus, and Gillis de Winter. He was followed by Jan Steen and Bernardus van Schijndel. He died at Haarlem in December 1702 and was buried in January 1703.
Anton Wilhelm Tischbein
(1730 -1804 ) - Painter